CCMAS Course Search

The Principles, Methods of Woven, Non-Woven, Knitted, and Laminated Fabric Manufacture: explain woven, non-woven, laminated, knitted fabric, state the importance of each fabric in garment production, and identify the various types on 1.1 above. Textile Colouration and Finishing Processes: state the types of impurities present in grey state materials, classify dyes, explain the basic theory of dyeing.

History of Textile, textile design materials and techniques; traditional, contemporary and exotic methods of textile design; Theories, methods and practices of textile in two dimensions; paper design for fabric reproduction for all textile production techniques, colour separation of paper work for exposure, (Negative and positive). Design work for all resist’s method of fabric production with special emphasis on African traditional motifs. Transfer of colour separated paper works on mesh using different methods-hand application, photo chemicals. (Wood Block Printing, Silk Screen Printing, Roller Printing, Transfer Printing, Rotary Printing). Conversion of two- dimensional paper works to a functional textile product of all the techniques: printing (stencilling, screen, stamp). Resist (starch, batik, tie-dye, fold &dye, stitch & dye). Organising exhibition, tips to organizing an exhibition (Planning and Preparation, Budgeting, Location, Venue, Perks of the Venue, theme of the event, Consumer Interest, Marketing, send invites, publicise the event, logistics and transport, use of social media to promote the event, Following-Up); generating profits from exhibitions (sales of tickets, obtaining sponsors, selling exhibition space). Visits a textile factory.

Engaging the taxonomy of the exterior and exterior spaces of human interactions, green and sustainable designing are core to this course. The ideological underpinning from the above strategies is applied to soft furnishings, canopies, drapes, and props for the environment to meet sociological and psychological needs. Design adequacy for space and purpose is integral to the course, focusing on the material, structure, structure, task, and semantics of space.

Gaining practical understanding of the various methods, materials and machineries involved in the production of woven and non-woven textiles. Exploration of the techniques involved in the conversion of fibre into yarn, then yarn into fabric with reference to common types such as weaving, knitting, bonding and felting. Production of fabrics directly from the fibres. Development of loom, types and parts of looms. Applications of woven and nonwoven products.

This course examines such topics as the conceptual framing of art and the artist through the ages how the artist impinges on the society and the ethos of his milieu. The place of the artistic experience, grounds or errors in projecting the creative mystique upon reality in the conception of the artistic personality, investigating the place of artistic inspiration considering the common saying that the artist gives back to the society what the society created. It accommodates the platonic argument and psycho sensory rationalizations of Sigmund Freud Karl Jung and the place of the artistic metaphor and its origin in the socialization of Jacques Lacan and Pierre Bourdieu’s theory of art within the frames of habitus, cultural and symbolic capital.

Overall plan and functions of the C.V.S. Physiologic anatomy of the heart. Mechanical events of cardiac cycle, cardiac output and its estimation. E.C.G. The Vascular system. Cross sectional area of different vascular groups, systolic, diastolic, pulse and mean pressures, exchange of fluids across the capillaries, venous and central venous pressures. Integration of C.V.S functions, central control centres, regulation of systemic blood pressure. Cardio-vascular adaptations in health and disease. Circulation through special areas. Vascular endothelium in cardiovascular control.

Overall plan and functions of the C.V.S. Physiologic anatomy of the heart. Mechanical events of cardiac cycle, cardiac output and its estimation. E.C.G. The Vascular system. Cross sectional area of different vascular groups, systolic, diastolic, pulse and mean pressures, exchange of fluids across the capillaries, venous and central venous pressures. Integration of C.V.S functions, central control centres, regulation of systemic blood pressure. Cardio-vascular adaptations in health and disease. Circulation through special areas. Vascular endothelium in cardiovascular control.

The course provides an in-depth understanding of human anatomy and other life forms. Lecture time involves a study of models in various poses aimed at entrenching a mastery of form. Such sculptural concerns as portraits, total figures, torsos, expressive gestures in hands and limbs, single and multi-figural themes shall be explored to yield various personal experiences. This course would include collective critical evaluations that involve the students and the course director to hone professionalism through shared experience.

Introduction to urban and rural surgical theatre design with bias for acceptable floor space and free patient flow; Routine management of theatre and hospitalization facilities

Principles of occlusion and articulation in fixed prosthodontic practice. Complex cavities and restoration techniques. The fixed partial denture. The post and core restoration. Resin-bonded bridges and fibre reinforced resin-bonded bridges. Managing the patient with deranged occlusion. Basic implantology.