CCMAS Course Search
Browse BRIDGE's courses under the National Universities Commission's Core Curriculum Minimum Academic Standards (CCMAS) — Nigeria's unified benchmark curriculum for every accredited program. Search by course title, code, faculty or programme to see full descriptions, learning outlines and credit-hour loads.
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FAD 411
3
At the end of the course, student should be able to: 1. use the product design and development process as means to manage the development of an idea in fashion from concept through to production; 2. demonstrate and emplo...
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In this course, the student is introduced to product development, research existing brands to
develop ideas for new products, conduct trend research, create storyboards, sketch flats, and
propose new products. The topics to be treated in the course will include consumer markets,
fabrication, roles and responsibilities within the supply chain, product development, and fashion
product categories.
URP 408
2
1 institution need this
At the end of the course, students shall demonstrate the following competencies: 1. outline the various strategies for development control; 2. identify the laws and regulations guiding development control in the cities a...
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The various strategies of development control; the mechanics of control; Laws, Codes,
Regulations and standards; development plans/schemes and their implementation. Planning
applications; consents; appeals; enforcement procedures of arbitration submission. Appointment
of arbitration, rules of evidence. Preparation and publication for awards; Methods of enforcing
and impeaching an award. Reference by order of the court statutory arbitration.
IDF 307
2
At the end of the course, students should be able to 1. demonstrate the use of computer software in rendering fashion design in 3D. 2. develop basic rendering concepts with respect to innovative modelling techniques in t...
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Conceptualisation of three-dimensional textile and fashion forms through freehand to the use of
software packages to develop the sketches into three-dimensional forms. The courses students
to effectively use the computer in rendering their works in three dimensions and to provide
students with the opportunities to develop basic rendering concepts with respect to innovative
modelling techniques in three-dimensional forms.
IDF 403
2
At the end of the course, students should be able to 1. develop drawing skill for rendering different fashion accessories for male and female meant for various categories of occasions; 2. use the learnt skill to create m...
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Students will expand the skill to draw and render different fashion accessories used by men and
women. Develop and introduce categories of clothing that are meant for a specific occasion.
Creating Mood boards, theme -based concepts, Client boards – in relation to the end customer
and customer identification, Swatch boards – swatch sizes, fabric information and its swatch
layouts and colour boards – its emphasis and importance in presentation. Computer aided flat
sketches – garment sketches in coloured Illustration and flat sketches with stitch detail.
FAA 321
2
At the end of the course, students should be able to: 1. to come to terms with the skill of interpreting art; 2. appreciate the visual form as cultural objects; 3. to identify with their definition as objects of value in...
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This course is a continuation in rendering forms as a visual language, emphasizing a more
profound mastery of form and conceptual issues that arise from objective and non-objective
contexts of reference. Class sessions focus on projects that encourage the exploration of
general conventions towards developing personal initiatives in the rendition of forms in
multimedia approaches.
IDT 301
2
At the end of the course, students should be able to: 1. create illustrations of fully clothed life figures in different postures with emphasis on draperies and creases of various clothing materials worn by the model; an...
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Drawing of clothed figures in action: walking, running reclining kneeling from life models and
printed materials. The course covers draperies of various clothing materials on human body;
gowns, trousers, head gears, caps, footwear and the sorts, aim to develop skills in order to
perfectly convey the exact Design idea for all the levels of production through various details and
technicalities. Students will develop the exact Fabric in the form of its colour, texture, fall and
drape on paper using different colour mediums. Acquire the skill for clothing composition of the
fashion figure by adding effects when a garment is worn. Develops the skill for communicating a
design for production in the form of “2D flat drawings”.
IDT 401
2
At the end of the course, students should be able to: 1. explain the importance of fashion; and 2. demonstrate creativity in the use of drawing tools to create detailed drawings of clothed human figures.
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Detailed studies of advanced clothing in relation to human body. Drawing from models and
stylizing the drawing with clothing. Studies on economic, technological, aesthetic, educational
and psychological importance of fashion.
IDG 401
2
At the end of the course, students should be able to: 1. develop drawing compositions on various themes consisting of human figures, animated and inanimate objects; 2. develop landscape drawings demonstrating the knowled...
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Figure drawing, drapery and physical expressions, fore-shortening and perspective studies from
human poses and three-dimensional objects. Landscapes study with focus on perspective, linear
perspective, and aerial perspective, angular and parallel perspective in landscape drawing
example: elliptical law of perspective which comprises of aerial view recession, optical illusion,
curvilinear, rectilinear, visual reality and illusionism. Study on Gestural Illustrations, the gestural
drawings could dovetail into preliminary illustrations for animated images.
IDG 501
2
At the end of the course, students should be able to: 1. develop drawing compositions on various themes consisting of human figures, animated and inanimate objects; 2. develop landscape drawings demonstrating the knowled...
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Complex work on figure drawing, drapery and physical expressions, fore-shortening and
perspective studies from human poses and three-dimensional objects. Landscapes study with
focus on perspective, linear perspective, and aerial perspective, angular and parallel perspective
in landscape drawing, such as elliptical law of perspective which comprises of aerial view
recession, optical illusion, curvilinear, rectilinear, visual reality and illusionism. Study on Gestural
Illustrations, the gestural drawings could dovetail into preliminary illustrations for animated
images.
IDG 301
2
At the end of the course, students should be able to: 1. demonstrate competencies in drawing of human figure and figures in action; and 2. produce drawings that show realistic representation of human anatomical features...
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Still life studies of various compositions with special emphasis on shape, structure, rhythm and
special organization. In addition, at least two completed sketch books must be submitted at the
end of the course. Comparative studies of still life objects with the means of revealing the explicit
and implicit intents in the drawing of the arrangement of inanimate objects the challenges of
rendering solid objects should be addressed and emphasis should also be given to two- and three-
dimensional planes. Figure drawing, figures in action. Standing seated and reclining male and
female models. The nude models, clothed figure to demonstrate fold. Students at this level are
being prepared to understand the anatomical study of the movement of the body. To know
something about bones, muscles and the tissue of the body, the size, the functions, the weight
and texture of what to draw. The inter-relationship of the parts of the body to each other must
be learnt to give room for correct proportional approach to figure drawing. Students at this level
are expected to be more précised and thorough in their approach the figure drawing.